Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 33 | Still life floral, all kinds of reality flowers oil painting 130 | Portrait of Freeman Cary | Cercetas | Landing at Mallicolo Malakula,one of the New Hebrides |
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Giovanni Antonio Pellegrini
(29 April 1675 -- November 1741) was a widely-travelled Rococo decorative painter from Venice, where he was born and died. He is considered to be one of the most important Venetian painters of the early 18th century, melding the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano,and is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Pellegrini's father, also Antonio, was a shoemaker from Padua. Pellegrini first studied under Girolamo Genga, but was later a pupil of Paolo Pagani and of Sebastiano Ricci. He married Angela Carriera, the sister of Rosalba Carriera, in c.1704. Pellegrini decorated the dome above the staircase at the Scuola Grande di San Rocco in 1709. He is mainly known for his work in England, which he visited from 1708 to 1713 at the invitation of the Earl of Manchester, and where he had considerable success. He painted murals in a number of English country houses, including Castle Howard (mostly destroyed in 1940) and Kimbolton Castle, Narford Hall, and in London, 31 St James's Square for the Duke of Portland, where George Vertue noted in his notebooks "the hall and Staircase and one or two of the great rooms". He became a director of Sir Godfrey Kneller's Academy in London in 1711. He submitted designs for the decorating the interior dome of the new St Paul's Cathedral, and is said to have been Christopher Wren's favourite painter, but did not win the commission, losing out to Sir James Thornhill.
Fyodor Rokotov
(1736 - 1809) was a distinguished Russian painter who specialized in portraits. Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter. In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time. Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress.
John La Farge
1835-1910 John La Farge (March 31, 1835 ?C November 14, 1910) was an American painter, stained glass window maker, decorator, and writer. Born in New York City, New York, his interest in art was aroused during his training at Mount St. Mary's University and St. John's College (now Fordham University). He had only the study of law in view until he returned from his first visit to Paris, France where he studied with Thomas Couture and enjoyed the most brilliant literary society of the day. Even his earliest drawings and landscapes, done in Newport, Rhode Island, after his marriage in 1861 to Margaret Mason Perry, sister-in-law of Lilla Cabot Perry, show marked originality, especially in the handling of color values, and also the influence of Japanese art, in the study of which he was a pioneer. La Farge's inquiring mind led him to experiment with color problems, especially in the medium of stained glass. He succeeded not only in rivaling the gorgeousness of the medieval windows, but in adding new resources by his invention of opalescent glass and his original methods of superimposing and welding his material. Among his many masterpieces are the "Battle Window" at Harvard and the cloisonn?? "Peacock Window" in the Worcester Art Museum. Two of his largest windows are located in Unity Church in North Easton, Massachusetts. The earliest of these, the "Angel of Help" was completed in 1887 while the "Figure of Wisdom" dates to 1901. Both of these windows were restored by "Victor Rothman for Stained Glass Inc" of Yonkers, New York in the 1990's. Between 1859 and 1870, he illustrated Tennyson's Enoch Arden and Robert Browning's Men and Women. Breadth of observation and structural conception, and a vivid imagination and sense of color are shown by his mural decorations. His first work in mural painting was done in Trinity Church, Boston, in 1873. Then followed his decorations in the Church of the Ascension (the large altarpiece) and St. Paul's Church, New York. For the State Capitol at St. Paul he executed, in his seventy-first year, four great lunettes representing the history of religion, and for the Supreme Court building at Baltimore, a similar series with Justice as the theme. In addition there are his vast numbers of other paintings and water colors, notably those recording his extensive travels in the Orient and South Pacific. His labors in almost every field of art won for him from the French Government the Cross of the Legion of Honor and membership in the principal artistic societies of America, as well as the presidency of the Society of Mural Painters. Enjoying an extraordinary knowledge of languages (ancient and modern), literature, and art, by his cultured personality and reflective conversation he greatly influenced all who knew him. Though naturally a questioner he venerated the traditions of religious art, and preserved always his Catholic faith and reverence. In 1904, he was one of the first seven chosen for membership in the American Academy of Arts and Letters. On his passing in 1910, John LaFarge was interred in the Green-Wood Cemetery in Brooklyn, New York. During his life, he maintained a studio at 51 West 10th Street, in Greenwich Village, which today is part of the site of Eugene Lang College